#Metronome 120 generator#

Polyphony 128 voices Tones 30 tones Stretch Tuning Always On Master Tuning 415.3 Hz to 466.2 Hz (adjustable in increments of 0.1 Hz) Transpose -6 to +5 (in semitones) Effects Reverb (Off, 1 to 10)

#Metronome 120 generator#

Keyboard 88 keys (Ivory Feel-G keyboard) Touch Sensitivity 5 levels, Fixed Touch Keyboard Modes Whole, Twin Piano Sound Generator Piano Sound SuperNATURAL Piano Sound Max. The built-in external input lets you connect an audio player for play-along fun. And since it’s digital, the F-120 lets you play through its built-in speakers, its external output, or privately through headphones. No need to worry about temperature changes or aging strings. Since the instrument is fully digital, there are no strings to tune. With the F-120, you can play day or night, year after year, and enjoy perfect sound and performance. The F-120 also has a built-in metronome and recorder, so you can practice with a perfect time reference, and record and listen back to your performances. In the same way, the left and right pedals can be reassigned to act as damper pedals for either side of the split keyboard. This makes it easy to see and hear when practicing beside a teacher. It enables the keyboard to be split into two parts, each of which covers the same octaves. The Twin-Piano feature, for example, is designed for side-by-side lessons or performances with a teacher or duet partner.

More than a great piano, the F-120 is equipped with features to enhance your skills. The F120 is available in two beautiful finishes: Satin Black and White. The unique folding-lid design covers the keyboard safely when closed, and serves as a music rest when raised. Slim Cabinet DesignĬompact, stylish and only 30cm deep, the F-120 can be placed anywhere in your room.

Thanks to the combination of the latest sensor technologies and the SuperNATURAL Piano sound engine, the F-120 offers expression and performance that rivals that of high-end pianos. The F-120 is outfitted with an Ivory Feel-G keyboard, featuring Progressive Hammer Action with Escapement, inherits the functions, appearance, and texture of keyboards found on Roland’s flagship pianos. The end result is an incredibly expressive and authentic sound that blurs the line between digital and acoustic. With SuperNATURAL, three key elements are dramatically enhanced: velocity response, note decay and key-range behavior. Roland’s engineers relentlessly analyzed the complex, ever-changing characteristics of concert grand pianos, faithfully capturing and reproducing the tonal variations based on the velocity of each keystroke. In the middle is Queen’s Another One Bites the Dust at 110 beats per minute, though that one is a bit macabre.With Roland’s breakthrough SuperNATURAL Piano engine at its core, the F-120 brings a new level of authentic sound and natural performance to the digital domain. At the upper end of the spectrum is Lady Gaga’s Just Dance, which clocks in at 119 beats per minute. Stayin’ Alive‘s tempo is 103 beats per minute, which is within the range that we need to hit. If you want to be sure you’re doing chest compressions at the correct rate, find a song that has a beat that is somewhere within that range.Ī classic example is The BeeGee’s Stayin’ Alive, which is often played in CPR classes to help people find the speed. Music to help with the compression rhythm. You’ll also be able to pay attention to the depth of your compressions a bit better when you’re not also focusing on your speed. Keeping on pace with a metronome can also help with ventilation rate, as you’ll introduce oxygen at the same rhythm. We recommend that our instructors incorporate the use of a metronome in their classes as well. There are many Automated External Defibrillators (AEDs) that have a metronome that beeps to the correct speed, to aid in chest compressions, and all training units should have one as well. Metronomes can help keep the rhythm.Ī study conducted in 2015 showed that when using a metronome alongside chest compressions, the compression rate was able to be better maintained than with those that didn’t use one. For a child, you’ll use one hand, and a baby you’ll use two fingers, and you’ll compress to only 1/3 the depth of the chest. Remember, the depth of compressions on an adult is 2-2.4 inches with both hands. You’ll be doing 1 to 2 compressions every second.

If this seems like a fast pace, it’s because it is. 4.1 Related Articles 100-120 compressions per minute.